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Spiderman opened it's doors to much crazed anticipation from fans like myself who have either grown up on or have been introduced to the comic book ethics that Marvel have worked so long to instill in it's readership. These ethics are true of almost every single hero storyline that has ever been written and follow that in a world of imbalance something or somebody will appear to restore equilibrium. So when the world is in peril due to the misguided actions of evil minded criminals, along comes the alkaline to cancel out the acid. Whether our saviors are born or made the hero's we see them as is something that, to those that require their services, is irrelevant, but to these selfless individuals the saving of lives isn't the end of their story.

Clark Kent's decision to become a mortal in order to spend his life with Lois Lane is akin to the struggles facing Peter Parker in this all new all singing and definitely all dancing sequel to the very mixed-up Spiderman 1 which faced it's fair slice of the criticism pie when it was released back in 2002. Some said that it wasn't as magnificent as it should have been whilst others groaned on about dodgy looking computer animation which tarnished the films expected polish. For me it was a combination of all these plus a feeling that it was just a little too on the 'safe' side in a bid to ensure a high $$$ turn around from the family audience. When the slightly less recognisable face of Daredevil graced the big screen in 2003 it was, for me, everything that I hoped Spiderman would have been with an air of oppressive darkness that just works so well in superhero movies (look at the Batman movie series and you will see what I mean). It is with great relief that I can state that Spider-Man 2 is perhaps one of the best mixes between mood shading's I have seen up to this point with a winning combination of dark and broody moments interspersed with light and honestly tender interchanges between the characters.

My previous mention of Clark Kent was more than just inane dribble as Peter Park also suffers from an identity crisis which add's an element which ensures that the film is more than just a mindless action movie and instead becomes a character driven love story with moments of supreme action. As Parker begins to struggle with the gift that has been bestowed upon him we get to witness his true weakness, that of the love he has for his Auntie and his high school sweetheart, Mary Jane. It is the expansion of this relationship along with the hatred his friend Harry Osborn has for Spiderman that climaxes in some truly touching moments that help underline the exhausting action sequences.

The films visual flair is evident with the wonderful opening artwork by artist Alex Ross which introduces newcomers to the first films story line via some exquisite comic art whilst the cast credits roll. Moving into the film proper, all the anily re-tentative nitpickers (myself included) will begin to see that much effort has gone into improving the computer action segments with some absolutely jaw dropping moments that see our hero and his nemesis placed in positions that clearly could not have been achieved by stunt work alone and, although you will still spot a few 'odd' looking moments, the visual animators have earned their pay check's.